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The Scarecrow

by Michael Connelly

About.com Rating 4

From John M. Formy-Duval, for About.com

The Scarecrow

© Little, Brown and Co.

Little, Brown and Co., May 2009

Michael Connelly is among that select few authors who seem to always spin gold. Once again in The Scarecrow he has woven a thriller that grabs us and does not let go until the end. Jack McEvoy, ace newspaper reporter, and Rachel Walling, FBI Special Agent and some time consort of Harry Bosch, are the driving forces on the side of good in this sterling read. Connelly created a special antagonist in an earlier novel, The Poet. He has hit pay dirt again with The Scarecrow, whose evil modus operandus could so easily happen.

Three issues weave their ways through the novel. The main plot centers on the murders committed by someone who comes to be known as the Scarecrow. He has a special way of killing, of course, but the police have not yet connected the dots; they have settled for the expedient solution. Computers figure heavily into the crimes as they provide a means of identifying potential victims. The problem is much more than a simple worm embedded into someone's computer, but it a very real concern both within the plot and in reality. A major plot device revolves around the newspaper business and the difficulties it is encountering even in real life. The face of this decline is Jack McEvoy who had won a Pulitzer for his reporting on The Poet. Now, he is number 99 in a planned reduction in force of 100 employees of the Los Angeles Times. Ironically, the fictional Rocky Mountain News that Jack worked for in The Poet has shut down in real life after 150 years.
Jack has only 2 weeks before he is RIFFED when he receives a telephone call from the mother of a juvenile gang banger who is supposed to have confessed to killing a young woman. She says he is innocent. Jack does not believe her, but he senses the possibility of a very nice "going-away" story, one that will say to the bosses, "You made a big mistake letting me go." A very small bit of investigation convinces Jack that the juvenile, while clearly a criminal, is innocent of this charge. His further investigation brings him back in touch with Rachel, his former lover, whom the FBI had relegated to a backwater office. She has just rehabilitated herself and is now back in the mainstream of the agency. However, her participation with Jack creates new problems, resulting in her suspension and resignation.

Will Jack save his job? Will Rachel save hers? Will the Scarecrow be caught? It takes only two pages to learn that Wesley Carver is the metaphorical scarecrow who minds the rows of "crops," banks of servers on a computer farm. Normally, this would be the good guy who ensures that data remain safe, but we learn right away that he crushes and destroys anyone who attempts to breech his security net. Is he the Scarecrow of the title or just a symbol? The final answer to that question is not delivered until near the end. Our journey to these revelations makes for a book that simply begs to be read and enjoyed as quickly as possible.
Each Connelly novel remains fresh, never feeling as if it is written to a formula. His bad guys are delicious in their perfidy, but often with what seems to be some bit of a redeeming character element. The good guys are never stock characters. They have complex lives that develop from one novel to the next, and while we cheer for them, we recognize that they don't always adhere to the straight and narrow.

A former newspaper reporter on the crime beat for the Los Angeles Times, Michael Connelly has written 20 novels and one work of non-fiction (a collection of his crime stories from the papers where he has worked). He has also edited collections of short stories. He already has a novel, Nine Dragons, slated for publication in October 2009.
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